I met Melody through my local circle of the national women's entrepreneurship network, Bouge ta Boüte. She is an image consultant, and we immediately clicked—I quickly wanted/needed to use her services, and she wanted mine in return.
So, we did a “skills exchange”: I benefited from her expertise, and she from mine.

A longtime fan of the House of Chanel, she wanted a bag inspired by her favorite model, the 22.
Chanel is a brand I only know from afar, and even less so this specific model. So, I studied it from every angle to understand its construction and try to capture its essence.
The goal was, of course, not to make a counterfeit but to create something she would love while taking on an interesting technical challenge. Since this style isn't usually my personal preference, it was also a great opportunity to step outside my comfort zone.

Custom projects based on an idea rather than sentimental materials are less common for me, but I enjoy them just as much.

I started with sketches, mock-ups using paper scraps, then fabric offcuts, and finally a large canvas piece (much like making clothing) to refine the assembly and proportions.

Then, I transferred everything onto sturdy paper to create a pattern.
Finally, I ordered two full leather hides, matching leather “laces” for the handles, and the hardware.

The leather turned out to be stiffer than I wanted, so I thinned it down completely using my skiving machine—a stressful process, but it paid off, even though it will still take some regular use to fully soften.
I also hand-marked the quilting lines and then stitched the dozens of meters required.

Once everything was assembled, I invited her to the workshop just in time for Christmas.
Total success—she’s thrilled!

Thank you, Marie, I love it!! â˜ș

Other beautiful stories

Stéphanie's heart-stopper

Stephanie fell in love with a bag I'd shown her in a discussion around an online LinkedIn challenge, and decided to get one made in her favorite colors for Christmas. After choosing the materials from my stock together, I quickly made it so she'd have it in time under the tree. This fun and exciting collaboration resulted in this daring and classy shoulder bag.

Discover their story

Before
After

Marie's babywearing wrap

I searched for this wrap for a long time, and I didn't want to part with it.This leather jacket was the first luxury piece of clothing I had, for my 18th birthday. However, I could no longer use either of them for their original purpose. So, I decided to transform them into objects that would be useful to me and would remind me of the beautiful memories they had stored.

Discover their story

Before
After

Cindy's babywearing wrap scrap and wax offcut

Cindy had this babywearing wrap and this wax fabric to which she was very attached, and she knew in what specific type of bag she wanted to showcase them: a “Hobo” bag.

Discover their story

Before
After

Cécile's dress

Cécile wanted to pay tribute to a dress she had already transformed into a skirt by using the remaining fabric scraps to create a mother-daughter duo of small wallets.

Discover their story

Before
After

Browse the designs I have my idea All your stories

Your testimonials

Thanks to her good advice and professionalism, the result is stunning. I highly recommend her for all your textile transformations.

Fanny D.-D.

I’m hooked!!
Marie is incredibly attentive and professional.
You can entrust your memories to her without any worries.

Muriel C.

Go for it with confidence, let yourself be guided by your heart and Marie’s advice, you won’t regret it.

Nanouch I.

Common questions

Can my fabric really be transformed?

Most materials (leather, wool, babywearing wraps, a loved one's clothing, sports jerseys or activewear, baby clothes and comfort toys, a wedding dress or suit
) can be reused.
During the call, I'll clearly tell you what's feasible, or not.

What happens to my fabric during and after the transformation?

Your fabric is precious — I know that, and I treat it accordingly.

During the transformation, I only use what's needed for the piece we agreed on. Offcuts come back to you. I always tuck them into your return parcel, unless you tell me to keep or dispose of them.

In practice:

  • You send me your fabric (the whole garment, or the section you want transformed);
  • I work from your piece, making the most of every centimetre in a thoughtful way;
  • Any remaining offcuts travel back home with your finished creation.

If your fabric is very small or choices need to be made (where to position a motif, which section to prioritise), we talk it through before any cutting happens. Nothing is cut without prior agreement.

Are technical fabrics (sport, dance, running) as sturdy as a classic fabric once transformed?

It depends on the fabric, but in most cases, yes. The stretch and fineness of some of these materials (lycra, softshell or technical jersey, for example) are actually an asset for kinusaiga panels, and conversely, they're compensated for very well in leatherwork with reinforcements (interfacing, lining), just like any other delicate textile. These fabrics also tend to have excellent resistance to abrasion and friction, which is a real plus for bags and wallets.

We talk it through together during the discovery call.

I have more questions

Let's talk!

For your custom projects only,
book a phone or video call (on Zoom) to discuss your fabrics, budget, schedule, and ideas.

Other means of contact

Photo of Marie Alhomme